![Image:Kathrin Köster & Sonja Schrader](/images/1915/1915_large.jpg)
![Image:Sonja Schrader](/images/1916/1916_large.jpg)
![Image:Kathrin Köster](/images/1917/1917_large.jpg)
![Image:Kathrin Köster](/images/1925/1925_large.jpg)
![Image:Sonja Schrader](/images/1926/1926_large.jpg)
![Image:Sonja Schrader](/images/1927/1927_large.jpg)
![Image:Sonja Schrader (left) / Kathrin Köster (right) / Sonja Schrader (background)](/images/1928/1928_large.jpg)
![Image:Sonja Schrader](/images/1929/1929_large.jpg)
![Image:Kathrin Köster (left) / Sonja Schrader (right)](/images/1930/1930_large.jpg)
![Image:Kathrin Köster (left) / Kathrin Köster (middle) / Sonja Schrader (right)](/images/1931/1931_large.jpg)
![Image:Kathrin Köster](/images/1932/1932_large.jpg)
![Image:Kathrin Köster](/images/1933/1933_large.jpg)
![Image:Kathrin Köster](/images/1934/1934_large.jpg)
![Image:](/images/1935/1935_large.jpg)
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Kathrin Köster & Sonja Schrader
Godet, my friend!
Soft Opening Fri 10 Sep 2 - 9 pm
Opening times
during Berlin Artweek:
Thu 16 Sep - Sun 19 Sep 2 - 9 pm
regular:
10 Sep - 2 Oct 2021
wed - sat 2 - 6 pm
guided tours and artist talk
with Kathrin Köster & Sonja Schrader
Sat 11 Sep and Fri 17 Sep at 4 - 6 pm
please reserve at:
rsvp@frontviews.de
Frontviews at HAUNT
Ground floor
Kluckstraße 23 A / yard
D - 10785 Berlin
Please follow the 3 G rule (either vaccinated, negative tested within the last 24 hours, or cured of COVID- 19) to enter the exhibition building.
IG @frontviews_berlin
FB FrontviewsBerlin
with the essential support of the Berliner Senatsverwaltung für Kultur und Europa
The word "God-e (t)" is phonetically reminiscent of the German-French use of „Ade!“ „Adieu!“ to herald the ritual of farewell. If the emphasis is shifted to the o and phonetically to English, „God-et" becomes a triumphant signal of understanding. The term "Godet", pronounced in French with Dutch roots, is a technical term from the tailoring trade and defines a wedge-shaped insert in a slit.
The title of the exhibition Godet, my friend! by Kathrin Köster and Sonja Schrader plays with the dance figure of farewell and triumph, which is expressed installation-wise in a juxtaposition of bodies, their spatial compression, as well as their energetic rearrangement.
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